Trendcrusher

The D/A Method interview

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The D/A Method are a progressive rock band from Karachi, Pakistan. I found out about the band through Patari, a Pakistani music streaming platform. The D/A Method are more progressive sound compared to Odyssey 

Their recently released album The Desert Road is an engaging listen and features classical instruments.  I spoke to Talha Alvie about The Desert Road, working with Bruce Soord and also their plans in the coming months.

Hi guys, you recently released your second album The Desert Road at show with Takatak. How did it go?

The show was great. We had an excellent turn out with about 500 people in the audience. It’s always special playing in front of our home crowd in Karachi and this was no exception. Takatak absolutely killed it, so it was a wonderful show overall.

For those who have not heard of you before, could you share how the band was formed.

The band was formed by Umair and Talha back in 2012. After jamming together, they wrote songs which were to become part one of our debut album, The Great Disillusion. While recording the album we added our friends Usama on vocals and Istvan on drums in 2013. This is the line up that appears on the first album. Danny, who had played bass with us in the past, joined the band in 2016 to complete the line up which has remained unchanged since then.

The Desert Road comes 2 years after the release of your previous album, The Great Disillusion. What was the writing process for the album?

The writing process for TDR was quite different from TGD as for the first time we were under a deadline in order to fit in with our producer Bruce Soord’s schedule. We had been planning on working on a four-song EP with Bruce but he suggested turning it into a full-length album. So the challenge for us was expanding this EP into a proper record in the matter of only a few months. Talha wrote the structures for four additional songs while Umair and Istvan added the final one to get us to a 9 track album. We actually recorded all of the drum and guitar parts before the vocals were finalized but as always, Usama went over the songs and added his magic touch. We only recorded the final vocals once we got into the studio to mix the album with Bruce which ultimately worked out brilliantly because we were able to get his input on vocal parts and harmonies and also have him as a guest vocalist on several songs.

The album features traditional musical instruments like the sitar and sarangi. How did they become a part of your sound?

Being from Pakistan, these traditional instruments have been a part of the music we’ve been listening to since our childhood. It just made perfect sense for us to use the sounds from these age-old instruments as an additional layer to our electric guitars, synths, and drums. The whole East-West fusion thing has been done for a long time, but for us this comes out of interest of adding textures and sounds that both contrast and complement our modern Western instruments.

The Desert Road is co-produced and mixed by Bruce Soord (The Pineapple Thief, Wisdom of Crowds). How did he become a part of the album?

Honestly it was just a complete shot in the dark. We’d been fans of his music for a long time and learned that he was interested in producing bands, so we shot him an email and he said yes. He definitely whipped us into shape and made sure that we were on point with everything before we got into the studio with him, which is something we probably needed at the time.

You released a music video for the track, the Desert Journey. How relevant do you think music videos are in the age of Youtube and Vimeo?

Music videos are essential. The era of instant information means that people’s attention spans are limited and a video is a great way to capture that attention. Luckily prog rock fans still value the idea of concept albums and long songs, but we’ve always felt that if we want to get our music out to a broader audience we need to put out videos. Fortunately, as fans of film ourselves, we’re willing to put in as much passion and effort into our videos as our music. We just see our videos as visual extensions of the songs themselves.

What have you been listening to lately (metal and non-metal)? Are there any acts that have inspired you of late?

Individually we’re all over the place but as a band we’ve been more interested in singer-songwriter type stuff as of late. Dallas Green/City and Colour, Jeff Buckley, Mark Kozelek to name a few. Of course the new Steven Wilson album is on the top of all of our playlists. The new Mastodon EP is pretty great as well.

What are your plans for the rest of the year? Are there any shows/tour planned in promotion of the album?

After our last show we’re probably going to lay a little low until the end of the year. We have some material that we’ve been working on which we’ll finally get a chance to make some progress on. We’ll be back on stage with hopefully a tour of Pakistan at some point in the first half of 2018.

Thanks for answering all my questions. Do you have any final words?

Thanks for the interview and thanks for supporting our music. To anyone reading this, please check out our music. Our discography is available for purchase on Bandcamp and iTunes and for your streaming pleasure on Spotify. All the best.

Written by trendcrusher

November 23, 2017 at 11:00 am

One Response

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  1. Thanks for the interview!

    Umair Dar

    November 26, 2017 at 3:11 pm


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