Trendcrusher

Posts Tagged ‘indian rock

Serpents of Pakhangba interview

leave a comment »

Serpents of Pakhangba are an Avant Garde act with members split across the Indian cities, Mumbai and Delhi. A few days before their album release, I caught up with the band and asked them a few questions about how they got together, their writing process and also the album.

Serpents of Pakhangba is

Aruna Jade : Vocals, Keys, Kazobo, Words

Vishal J.Singh : Guitar, Guitar synth, Arrangement and Production

Manas Chowdhary : Didgeridoo, Electric Bass

Fidel Dely Murillo : Percussion

Written by trendcrusher

May 27, 2020 at 10:00 pm

Horns Up Podcast: Episode 56

leave a comment »

The duo from Diarchy double down and detail their highly anticipated second album, Splitfire, with plenty of jibes, laughs, and additional ‘content’ thrown in for good measure. Enjoy Diarchy at www.diarchyband.com.

Written by trendcrusher

March 14, 2020 at 5:59 pm

Rainburn

leave a comment »

Rainburn are a Progressive Rock band from Bangalore, India. In November last year, they released an Ep titled “Resignify” consisting of five reworked tracks from their album “Insignify”. I spoke to front man Vats Iyengar about the EP, their approach towards it, Progressive Rock and much more.

This interview was conducted before the EP release, but is now finally online because of Life and everything that comes with it.

Read the interview on The Metal Wanderlust

Written by trendcrusher

March 10, 2020 at 6:02 pm

Horns Up Podcast: Episode 26

leave a comment »

Sutej Singh is an Indian composer / guitarist who released a superb album The Emerging, released in 2018 through Pinecone Records. A year later, we discovered him at a gig in Bombay, part of a tour that celebrates the first year anniversary of the album. The boys speak to Sutej about his roots, his journey, and his plans for the future.

Written by trendcrusher

August 20, 2019 at 11:00 am

Rainburn interview

with one comment

Unscene promoter Bantering Ram has good taste in music, so when he recommended Rainburn – Insignify, I knew I had to listen to it.  The first full length release by the Bangalore prog rockers is a concept album. The story line is well complemented by melodic riffs which result in multiple listens.  

I spoke to  vocalist/guitarist Vats Iyengar about Insignify, line up changes and also their upcoming tour.

You released your first album Insignify earlier this month. How does it feel now that the album has been released?

A lot of satisfaction at how well the vision and efforts of nearly two-and-a-half years have panned out. And more prominently – because I can’t sit still for too long – planning the way forward from here.

For those not familiar with the band. Do share how the present line up of the band get together?

We did a tour in late 2016 with Coshish, and less than a month before the start of the tour, thanks to the absence of any discernable work ethic in our beloved indie scene, we suddenly found ourselves without a bassist and a second guitarist. We were in a pretty tough place – if you know our music, you know it’s not something that people can just come in and nail overnight or wing their way through. Prav and I were very lucky to find Paraj and Ravi, who worked really hard over that short period of time, and the tour turned out well. They’ve been with us ever since (Paraj is part of the live line-up).

Insignify is a concept album. Do tell us more about it.

Insignify is a story about the search for significance amidst life’s inherent meaninglessness. It is centred around notions of insecurity and narcissism – two traits whose roots often lie in the need to feel special/significant. The protagonist of the story is a musician because, in my experience, performing artists are more prone to those two traits than regular people are. The choice of main character also made it easier to write from an autobiographical point of view, which makes the whole thing really honest.

What are the concept albums that have inspired you?

In no particular order, Quadrophenia by The Who, The Shaming of the True by Kevin Gilbert, Operation: Mindcrime by Queensryche, and Remedy Lane by Pain of Salvation.

There were also a couple of albums that influenced me in terms of what not to do – The Wall by Pink Floyd for teaching me to not get so carried away by the concept that the music starts to feel secondary or indulgent. And Scenes from a Memory by Dream Theater taught me to avoid making a concept album that’s focused more on a complicated story, and not enough on addressing or evoking what you call basic human emotions. I love both those bands but I have to say, these particular albums aren’t my favourite things by them.

What was the writing process of the album? What came first, the concept or the music?

The concept came first, although a few guitar riffs and such from different points in the past made their way into certain songs. It took a long time to fully develop the story but once the conceptual details were in place, the songwriting happened quite quickly.

The album was recorded with Thejus Nair at  Eleven Gauge Recordings. What was the recording process?

Thejus is a huge part of how this album sounds, not just in terms of his role as a mix engineer but also his input on arrangements, and even things like guitar tones during pre-production. I must say this is as much his album as any Rainburn member’s. The recording process was surprisingly simple and streamlined, considering the musical breadth of the record.

What’s currently on your playlist?

Reflections of a Floating World by Elder. In the past, I never really got into much – I guess you’d call this stoner metal, but someone recommended this album to me recently and it’s great. I’ve also been listening to a fair amount of hip-hop lately.

Do you have any shows/tours planned in support of the album?

We’re touring in February in support of the album. No dates/venues finalized yet, those will come together over the next few weeks, but a tour’s happening for sure, and I hope to see everyone who’s reading this out there at the shows!

Thanks for answering all our questions. Do you have any final words?

Thanks for doing this interview. To your readers: please check out Insignify and drop us a message on our website or social media pages, letting us know what you think.


Written by trendcrusher

November 29, 2018 at 12:53 am

aswekeepsearching

leave a comment »

aswekeepsearching are no strangers to this blog. I interviewed them in 2015 after the release of their debut album, Khwaab. Last month, they released their second album Zia. The album is a unique take on post rock and is unlike anything I have heard before.

Read my interview with frontman Uddipan Sarmah on Nine Circles

Written by trendcrusher

May 17, 2017 at 10:05 pm

Peura Interview

leave a comment »

Last month, Vishal J Singh told me about a new project with a vocalist from Poland. As a fan of his work, I was intrigued to hear something new that he has worked on. The name of the project is Peura and also features Polish vocalist Svah Vighar and American multi-instrumentalist Jake Linder. Their first release, a 4 track EP titled Red Notebook is out today via Vmbrella Fans of Vishal’s previous band  Feathers of Jatinga will enjoy this. 

I spoke to vocalist Svah Vighar about their origins, Red Notebook and the killer cover artwork.  

 

Peura originates from Feathers of Jatinga. How did you come across the band?

Well, Feathers of Jatinga was the original thought and plan. But it quickly turned into a completely new project. Currently it has almost no relation with FoJ. I had several unfinished songs from 2013 that I just showed to Vishal to learn “how He feels about them”. Vishal is a magical person. We all know that right? (laugh). So I guess it just happened naturally the moment Vishal came in contact with that material. But no-one came across the band. It’s a new project, created from the scratch.

How did you become a part of the band?

A part of the band? We put up Peura together with Vishal and Jake – out from what we created. Not the opposite. There are no “parts” in Peura. It’s the expression of singularity.

Tell us a about the transformation from Feathers of Jatinga to Peura. What does Peura mean?

Like I mentioned earlier, there was no transformation at all. We just decided to record the new material. I still hope that Vishal will change His mind and one day we’ll return to some FoJ material. I really love it. But it has to happen without any pressure – naturally. For now it’s closer to the idea that we’re not going back. Some say it’s a good thing.

What Peura is about?

I think it’s about showing people, that everything in “being creative” is about persistence, believing in your own strengths. That people who never learned to read the notes can be musicians, that they can still express themselves – as long as they wish to. It’s about processing some state of art, into an authentic, organic form of a final creation designed with care and love. Peura is a metaphor of that natural persistence, which lives somewhere – deep in ourselves. Among others Peura is a term open to interpretation. If you want to interpret it yourself – just do it. It’s up to you… If one day Peura will get 7 billion interpretations.. well… Then I’d say “job’s done” or “goal reached”. Because whole project is about making people “stop and think for a moment”…

How did Jake Linder become a part of the band?

He hasn’t (laugh). Like I said – Peura emerged from finished project of the trio of us. But the story behind Jake was the “Red Notebook” song. Vishal sent out the material to some great people, but after Jake responded with His piano… I didn’t even think about anyone else.
His soulful, genuine, authentic play simply added a new layer to the music – literally extended it. For me it was just unbelievable stuff which I loved since the first time I heard it.

With Vishal, Jake and you in different countries. What was the writing and recording process for Red Notebook?

Well I guess that in 2017 this process is quite simple. We’re packed with technology these days. It’s enough for us to have some high-end hardware on our side to record our tracks. Like I mentioned the material comes from 2011-2013 and is a fraction of stuff I recorded as drafts back then. Vishal started with re-arranges and guitars, then I added the vocals, then Jake recorded his parts. It went pretty straight forward – took us about a week to record the songs.

The cover artwork by Chelsea Simpson looks awesome. 

For me the artwork is a one of the kind thing. Mostly because Chelsea is first artist who actually listened to more than a dozen of songs and read the lyrics – and just reacted with an interpretation that honestly… blew my mind. Nobody ever reached that level of understanding nuances – I thought they were kind of a cipher for me for so many years. Actually she made the first step of making the “Peura vision” possible. People like that are just pure gold.

The inspiration behind it?

Being natural, truthful, direct, sensitive and bit naive too. I was inspired to preserve the “handmade feel” of “the picture” (of the EP) – and I just got it the way I feel too. I’m glad more people are noticing the message in the artwork. For me there are at least a few.

What is next for Peura? Do you have an album planned? When can we expect it?

I planned only three albums so far. But I also planned an album 16 years ago (laugh). I have enough material to become the next Rolling Stones (laugh)…But jokes aside – It’s not up to me to tell. I can start recording the new album today, but I need real musicians like Vishal and Jake to make it sound right. It’s up to them to make the next move so I will just wait for “a sign” to just do it. I used to say “I was born ready” – and this is exactly how I feel about it.

Thanks for answering all my questions. Do you have any final words?

Thanks for the first real interview ever (laugh). Thanks for asking!

Listen/Download Red Netbook below

Written by trendcrusher

May 8, 2017 at 1:16 am

Indian indie goes digital

leave a comment »

A few days ago I came across this article in inbox that I had written for a zine in 2012. It did not get published for some reason. The article was about 4 new websites which had music by independent artists from acrossIndia on sale. From the websites listed below only Oklisten is still active. The Tagmuse website is online but has not been updated in some time. Musicfellas was acquired by Gaana.com in 2014. Flipkart shut down it’s Flyte store.

The “Big Boys” like Apple and Google are now in India with their Apple iTunes and Google Play. There has also been a shift with streaming services emerging in the past couple of years. The dominant players are Gaana and Saavn, however they feature a limited amount of independent artists.

The past decade has seen a rapid increase in the number of EP/Albums being released by independent bands in India, there were over 50 last year according to NH7.in. A basic problem for bands is getting their music heard and distributed; there have been many platforms, soundclick (does anyone still use it?) Myspace and reverbnation that have been around for a while; bandcamp and soundcloud are relatively newer. Bands in the past used to post their mp3s online for free. “No one will pay for Mp3s ” is a common statement I have heard by band members. However things are slowly changing, in the past few months, a few platforms have emerged in India that offer paid downloads.

music fellas Music Fellas is described as a “social, music discovery platform helping people have great experiences and meaningful conversations around music they love.” The platform was started by 3 techies from IIT Roorkee and BITS Pilani who are also music lovers, Mayank Jain, Shubhranshu Jain and Gaurav Shahlot. Currently it is invite only. Visit http://www.musicfellas.com to get your invite

 

nh7-flyte-banner

NH7.in, the music streaming and discovery platform tied-up with the Indian e-commerce Flipkart.com to launch digital music downloads featuring independent music, via Flipkart’s Flyte digital store. The store currently features over albums/EPs from over 50 artists ranging from folk rockers Swarathma to hardcore band Scribe. The singles are priced between Rs. 6 – Rs. 15 for singles and Rs. 20 – 150 for albums. You can download the songs up to 4 times. Visit http://nh7.in/musicstore for more information.

ok-listen-logo

Ok Listen! was started after Vijay Basrur could realised that he could not buy Mp3s of a Indian rock band. He has over 16 years of experience working in companies like Baazee.com and Quikr. The platform currently features mainly folk and rock artists like Raghu Dixit Project, Indian Ocean and Parvaaz. The prices for singles range from Rs. 10 to Rs. 25 and albums from Rs. 60 to Rs.200. They is no limit on the number of times you can download the songs. The platform is pro musician as they receive 70% of the net sales. Visit http://oklisten.com for more information.

tagmuse-logo

Tagmuse describe itself as “A double-octave space for independent artists to perform, connect, amplify and inspire the rest of humanity. Creating a launch pad for all musicians irrespective of race, language, ability, style, or genre. We appreciate it all.” They will be launching in another month or so. Sign up on http://tagmuse.com and stay updated.

Written by trendcrusher

October 23, 2016 at 1:04 pm

death by fungi interview

with one comment

death by fungi is a hardcore punk band from Mumbai, India. Formed in 2013, the band released a self titled EP last year. Earlier this month, the released another EP, ‘in dearth of’ which features a more melodic sound.

I spoke to vocalist/guitarist Vrishank Menon about the ‘in dearth of’ EP, recording it and also their plans for the rest of the year. 

death by fungi

What made you decide to start a hardcore punk band? What about the style appeals to you?

I can’t say! I got into punk rock when I was very young, right after I got into Slayer and Metallica, but mostly listened to skatepunk bands like Strung Out and Propagandhi. As I got older, I got into eighties hardcore (Black Flag, Minor Threat), metalcore (Shai Hulud, Converge, Integrity), powerviolence (Spazz, Charles Bronson) and post-hardcore (Fugazi, Glassjaw, Nation of Ulysses).

The music was very empowering, it was fast and it broke musical convention – as a 12 year old, I loved that! I still firmly believe that most alternative genres of music we listen to today – be it alternative rock, metal, math rock, whatever – comes from hardcore and hardcore ethic.

Mumbai is a city better known for it’s metal than punk scene. How did you find like minded band members? How did the band get together?

I was very fortunate to find these people but we aren’t all that like-minded when it comes to music. I mean we all love hardcore bands like Converge and Despise You, but we come from different places, musically. I began writing punk and indie rock tunes when I was in my mid-teens and used to record songs on my own since none of my friends liked punk rock. Kamran and I grew up playing in odd bands here and there so it was natural that I’d make him play bass with me and he did. Another friend agreed to play drums but he didn’t really care. Finding Aryaman was more a stroke of luck. He used to play drums in a mathcore band with Kamran and so when our old drummer left us right before our first show, he asked Aryaman to drum for us. We had no idea but he came from a background of thrash and old-school death metal like Entombed and Morbid Angel. So he was super stoked to play fast songs with us and we all clicked immediately. The first song we jammed to was perfect and all of us established ‘musical intimacy’, if that’s a thing. We shifted to a heavy hardcore sound because of Aryaman’s influence on that band. I think we found our sound our current sound together.

cover The ‘in dearth of’ EP sounds more melodic compared to your self-titled EP. What prompted the shift in direction? Tell us a bit more about your EP.

Two songs on the EP are more melodic but the other two are much heavier than our older work. In terms of sound, we’re just doing more, not letting genre boundaries limit us. We threw in bits of post rock, skramz and emo (bands like American Football and Christie Front Drive, mind you) while fucking with time signatures and guitar tones. We just write what feels right.

What was the songwriting process for the EP? How long did it take?

It’s different for every song. Iced and Pathfinder fell together very quickly and sort of assembled themselves. I literally remember Aryaman and I spit-balling riff and drum ideas and putting together all these songs in literally less than an hour. Endless Rain and Black Lung were very different and we spent a lot of time writing those. Endless Rain was actually the first song we wrote as a band and we’ve been revising it for 2 years. We weren’t even going to put it on the EP but we had extra studio time booked, so we altered the structure and put that in.

We try to be systematic but our band works better when we’re impulsive and do things if they feel right.

The EP was recorded at That studio and a home studio. What was the recording process like? Did you try anything different this time around?

It was much better, we enjoyed the process and everything came out sounding very nice and didn’t rob us of all of our money. That Studio was great and the engineers we worked with, Anupam Roy and Abhishek Kamdar, were very helpful and added a lot to the record.

The only thing I did different was recording a lot of guitar layers.

What are your plans for the rest of the year? Do you have any shows planned?

We are recording a split with our friends from Jugaa (Kathmandu based- metallic hardcore) in the summer and I’m currently trying to book as many shows as possible. We’re also organizing DIY house shows, which should be very fun. Hopefully.

Stream/Download ‘in dearth of’ below

Written by trendcrusher

May 28, 2016 at 7:20 pm

Aswekeepsearching Interview

with 2 comments

Post rock has been growing in India over the last few years. In the past 3 years there have been releases from bands like The Eternal Twilight, Kaav, Until we Last and others. Polish post rock act Tides from Nebula and Russian electropost rock band I Am Waiting For You Last Summer toured India. Festival organisers have taken notice of this new movement, this year Scottish post rock band Mogwai and American post rock act Explosions in the Sky will be headlining festivals later this year.

Earlier this week, I came across Aswekeepsearching and was really impressed by their single ‘What if_?’. I spoke to Uddipan Sarmah (Vocals/Guitars) about their album Khwaab, their tour of Russia and other plans for the rest of the year.

AWKS

Gautam Deb (Drums) , Shawn Gurung(guitars/keyboards), Uddipan Sarmah (Vocals/Guitars) and Bob Alex (Bass) (from left to right)

There are not many bands from Ahmedabad and Gujarat. How did you start out?

Uddipan: Just like how every band starts.  Me and shubham wanted to record some music and while doing it, our friend did the drums and so it shaped up to a studio project. From there, it was all our determination to get out of the city, play to new people and spread our music. That led us here.

How did you’ll get into post rock?

Uddipan: Let me not talk about a genre. I would say, music like post rock was always there from quite sometime in our lives. It’s just that we recorded it late. Also, me and shubham has been working on different projects, but this kind of music got us to connect more. In short, we realized, we love emotional stuff.

I am influenced by lot of post rock bands and to name a few would be God Is An Astronaut, Caspian, This Will Destroy You, Mogwai, Mono, Maybeshewill. I would say, as a genre, post rock to me came from these bands. It’s not a very commercial genre yet, its still underground. And I am happy of the fact that in India, people have started talking about it.

You are one of the few “indie” bands that sing in Hindi. What is the reason behind it?

Uddipan: I am sure there are lot of indie bands who sings in hindi. In fact, we have very minimal vocals on our songs. There is no planned reason behind us doing hindi vocals. We wanted to stay true. And while writing music, we felt more connected with hindi lyrics and alaps. Also, I have been singing in hindi for sometime and that helped me to write some words for aswekeepsearching. Also, now after 2 years with the band, I realize we made the right choice, as singing in Hindi has got us doing something new. Rather it helped us to stand out of many indie bands.

Your debut album Khwaab is out tomorrow. Tell us a bit about your album.

Uddipan: Khwaab, as the name says, is like a dream to us. Starting from a place like Ahmedabad, where you have no scene, no venue, no festivals happening, working hard day & night and finding a way to come out of the city, travel my bus, train, save money to perform at a different city, come back home only with empty pockets, yet keep doing it to reach a place where we are now, all like a dream. I know the world is not over and we have a long way to go, but it feels good to look back and realize from where we started 2 years back. The album is dedicated to everything that has happened in our journey until now.

What was the recording process for the album?

Uddipan: We have been writing the songs from more than a year now. Constantly analysing and re writing parts while performing them live. It took some time for the songs to get matured and give us the confidence to hit the studio to record. But finally on Aug 9th  2015 we started tracking the album. For the 1st time, we had a deadline to complete the album as we were getting signed to a label and they wanted files in time. So yeah, we had to prepare ourselves, plan things well and make sure the we do things when we are supposed to do. Recording started with Drums and Bass recorded together at That Studio, Sion, Mumbai. It was in presence of some experienced guys & actually we were a bit nervous initially, which later vanished on their extended help and support. Rahul Hariharan (Bhayanak Maut) let us use his snares and also got one floor tom on rent for us. Abhishek Kamdar (Devoid) let is record Bass with one extra signal via his pedalboard, which definitely added the required texture in the sound. Anupam roy, to set up everything, Adhiraj Sing to track and patiently bare our mistakes. Lol. It was a great experience.

After that we tracked guitars. As we are not a band with good gear, so we had to ask for favors and we are so lucky to have some amazing friends around. I went to Siddharth Basrur’s house and tracked my guitars, as i wanted to use a fender for the clean tones. Later in Ahmedabad i borrowed a friends Epiphone & Gibson to complete the dirty parts. Vocals were tracked at my studio, Bluetree Studios in ahmedabad. We have added 3 songs from our EP as we think its important for those songs to be in the album considering the change in our sound and the way the band has evolved.

All files were sent to Adhiraj at Refractor Studios, Pune for post production. What followed next was sleepless nights, constant review of mixes and exchanging edit mails. It was a super 60 days. And yes, we completed everything in time,

 

How does Khwaab compare to your EP, Growing Suspicious?Khwaab

Uddipan: Its completely different from our Ep. Though we have the same emotions like that in Growing Suspicions, but the emotions have gone a little aggressive. We as a band have evolved with our sound and songwriting, I won’t talk much about it and leave it completely to the listeners to figure out and see how they can connect to the new sound.

The album is being released by Russian label Flowers Blossom in the Space. How did the deal come about?

Uddipan: I have been in conversation with the CEO of the label from 2014. Sharing our old music and also scratches from the album.  We have been planning things and waiting for the right moment to release the news. And I guess it is happening at the best time when we are releasing a full length album. Our meetings were on facebook and emails, to figure out things and plan ahead on how the band will grow. Yeah, that’s it, nothing fancy.

 

You are heading on a five show tour of Russia this week. How did it come about?

Uddipan: So we are releasing the album under the label Flower Blossom In The Space, which is from Russia. They are also a booking agency and have been doing lot of big instrumental, neo classical events worldwide. I have been in conversation with their CEO form quite a long time now, right after release of our EP Growing Suspicions. We have looked on the possibility of expanding aswekeepsearching’s reach and try to push the band as much as possible. The label has booked us for a tour on the album release. We will be going to Russia for 12 days and will be playing 5 shows. We will be supporting I Am Waiting For You Last Summer on their Album launch tour on 4 shows. All details in the poster attached.

What are your plans for the rest of the year? More tours?

Uddipan: We like being on roads. We are working on Indian dates, or it must been out by now. November we tour in India, then shoot our music video. December we might play couple of festivals. And then 2016 is in the planning. New music on the go always.

Listen to ‘What if_?’ below and pick up a copy of Khwaab from here

Written by trendcrusher

October 14, 2015 at 10:00 am