Posts Tagged ‘Ironic Reversal

Godless Interview

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Godless are an upcoming death metal band from India. The band members are no strangers to the Indian metal scene, they have been part of bands like Skrypt, Eccentric Pendulum, Ironic Reversal and Shock Therapy. The band release their debut EP ‘Centuries of Decadence‘ this week through Transcending Obscurity India. I spoke to bassist Abbas and vocalist Kaushal about the EP, working with Joe Haley and also their plans for the rest of the year.


“Ravi (my band mate in Skrypt) and I decided to form a new band. We wanted to take this project really seriously and wanted like minded musicians to play with. We got in touch with the other members and things just started to fall in place.” said bassist Abbas about how the band got together.

“We never really made a conscious effort to play any particular genre of metal really. We’re all definitely fans of death and thrash metal though. We just wanted to make some really powerful and and aggressive music so what we ended up making just happened to fall into the death metal category.” said Abbas about how they decided to play death metal.

Last year Godless released a single Infest featuring Sean O’Kane Connolly (Ex – In Dread Response) on vocals. “So we had struggled a bit trying to find vocalists when the band started off. We thought it would be a good idea to get a guest vocalist to track a song so people could get a feel of the band and it would be easier to jam with people during auditions. Soon after releasing the demo we actually tried out a few vocalist but things just didn’t work out as planned. We then thought of trying out someone from either Pune or Bangalore since they’re quite close to Hyderabad. The eccentric pendulum guys are really good friends so I asked them to suggest someone and they recommended Kaushal. He came down and jammed with us and things just went way better than we imagined. He was quite keen on the band and really enjoyed the music and has exactly the same focus as us so everything was just perfect.” explained Abbas about how vocalist Kaushal become a part of the band.

Centuries of Decadence

“All four songs in the EP have their own themes and narratives. The opening track Infest’s lyrics was written by Sean O’Kane Connolly and talk about the effects of overpopulation on the world. Ossuary is about a wretched creature which lives in the catacombs in a state of suspended animation, about to wreck havoc into our world — a metaphor for covert groups and sleeper cells within the governments of today. Replicant’s about, yes, the replicants from Blade Runner. Our vocalist’s big on sci-fi. Oneiros is our take on the Sandman, and we’ve taken our inspiration from Neil Gaiman’s graphic masterpiece. The artwork and the title of the EP reflect the narrative of the second song, Ossuary.” said vocalist Kaushal describing the themes behind their ‘Centuries of Decadence’ EP.

The EP has been mixed and mastered by Joe Haley (Psycroptic). “We’re all really big fans of Psycroptic and Joe’s playing. Since he was already mixing our stuff and mentioned to us that he was really digging the music we thought there’s no harm in asking him to try and lay down a solo. He was cool with it and just blew us away with the solo he laid down. Can’t wait for people to hear it.” said Abbas about how Joe Haley contributed a guitar solo to Ossuary. “Joe was just brilliant to work with. He was really cool with all the changes we had asked for and was just really nice about having to do even the smallest changes over and over. That said, he pretty much nailed the mix in just the first attempt and we’re really happy with the way everything turned out.”

With each member being a part of other bands, Godless could have become a side project. “Definitely not. We started off with the intention of never making this a side project.” said Abbas dismissing the idea. “Every band member took this up knowing that they’ll be able to commit to this band and make time for this apart from the projects they’re already involved with.”

Godless Album launch gig

Godless are launching their album in Hyderabad tomorrow at Houz of Blues. They also perform in Mumbai at the 8th edition of Domination the Deathfest on 5th June. “The plan is just to gig as much as possible. We’ve got a short album launch tour planned and then just booked a really cool gig at this metal festival Orka Networks is organising later this year. So just gigging as much as possible and writing new music in the downtime.” said Abbas about their plans for the rest of the year.

Listen/Download ‘Centuries of Decadence’ below

Written by trendcrusher

May 6, 2016 at 5:16 am

Ironic Reversal Interview

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Ironic Reversal are a metal band from Bangalore. I discovered them through a facebook post by my friend Abbas (Skrypt) and was impressed with what I heard. The band released their 2nd album ‘Dysgenic‘ in October. I spoke to the band about the album, the concept behind it and more.

Ironic Reversal

Madhur Murli (guitars), Kaushal LS (vocals), Rahul Kini (drums)

Ironic Reversal has been around for just over a year now. How did the project start?

Madhur: Ironic Reversal started off as a bedroom project when I was studying in Manipal. By December 2013, I had written most of the songs for Clonus and was looking to record and release it. Around the same time, I was introduced to Rahul Kini by our producer Narayanan. All of us were playing together as a part of an instrumental prog metal band called Analyzed Consequences. Narayanan—after watching a couple of Orchid’s shows—suggested that I approach their vocalist Kaushal to perform the vocals on Clonus. Kaushal was interested and we started working on the album immediately. Rahul had helped me out with the drum programming during Clonus and I was really happy with the result. So, when it came to the drums for Dysgenic, I was absolutely sure that I wanted him to do it. I asked him to officially come on board and he agreed.

What is Dysgenic about? Tell us a bit about it.

Kaushal: Dysgenic speaks of a bleak, dystopian future where genetic experimentation has spiraled completely out of control. GMO mega-corporations have seized power and have replaced the democratic governments of the world with a corporate republic. As a result, all privately-owned mass media is criminalized, protests of any kind are banned, propaganda is rampant, farmers live in perpetual debt slavery, all organic food is outlawed and radical environmentalists have resorted to terrorism.

And that’s just the premise. It’s a tale that spans the five songs of Dysgenic. You can check out the lyrics and the extended synopsis here


What was the songwriting process for the album? How long have you been working on it?

Madhur: The songwriting process began in January 2015, a few months after we released our debut album Clonus. It took me about three months to write all the five songs in Dysgenic. After finalizing the guitar parts, our drummer Rahul spent a month on the drum lines. Since we decided to program drums rather than go to a studio, we spent more time trying to humanize the drums as much as possible. Rahul literally mapped note-per-note of what he was playing on the drums to MIDI. Once the drum lines were written, I borrowed a friend’s bass and spent about a couple of weeks writing the bass parts.

After hearing how the whole thing was sounding, I felt that there was a certain flow amongst the songs. I thought of making the record a concept album which our vocalist/lyricist Kaushal seemed pretty interested in. Kaushal started making notes of possible ideas and storylines that would fit the music. It took some time to narrow down the final theme of Dysgenic—we wanted to get it right. Once we did that, the lyric-writing process began.

All in all, the entire songwriting process took about six months.

How was the recording process? How long did it take?

Madhur: Considering the fact that I had moved to Delhi when we decided to go ahead with the album, I had to make a schedule of how we were going to go about recording the album. The first step was to freeze the guitar parts, which I did and tracked each song as I finalized the parts. This took about two weeks after which I sent the guitar tracks to our producer Narayanan in Manipal.

Since we programmed the drums, we didn’t have to spend time recording them in the studio. Although, as I’d mentioned earlier, Rahul spent quite some time humanizing the drums as much as possible.

The next step was to record the bass, for which I went to a friend’s (who’s bass I’d borrowed) house to record. Recording the bass took only three days since all the parts were pretty much written.

On Narayanan’s advice, we headed to Manipal to record the vocals. We spent three days recording. During the free time, I sat with Narayanan to figure out guitar, bass and drum tones.

How does it compare to your previous album, Clonus?

Madhur: From the writing perspective, the biggest difference would be that the tracks in Dysgenic are linked to each other. I had written Clonus over nine months and all the songs are kind of disconnected. Dysgenic was written over three months and a certain amount of continuity was maintained. Clonus was our first album and I feel we were still looking for our style and sound but with Dysgenic, I think we finally have a distinct style and sound.

Kaushal: Lyrically as well, all the songs on Clonus have individual themes; some were inspired by a few ’70s sci-fi/dystopian films. But for Dysgenic, the lyrics were written as a whole with a specific concept and storyline in mind. It’s meant to be heard/read from start to finish

Do you plan on playing live anytime soon?

Madhur: I don’t think we will go live anytime soon, mainly due to the fact that I’m currently in the USA for a master’s degree.

Listen to ‘Dysgenic‘ below

Photo Credit: Photo 1 – Khalid Saquib,photo 2 & 3 – Neerav Nagumantri

Written by trendcrusher

December 2, 2015 at 2:49 pm