Posts Tagged ‘stoner doom

Horns Up Podcast: Episode 28

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Marijannah is a stoner act from Singapore that gained fame thanks to a stellar debut release, Till Marijannah last year. Singer/drummer Nicholas Wong is on Horns Up this week to talk about the band’s latest single, Bloodsucker, the success of Till Marijannah, and also answers a burning question. What’s it like being a stoner rock/metal act in Singapore?

Nicholas is also a gig promoter and runs ACPHC, he shares an insight into the metal scene in Singapore and why so many international metal acts tour the country.

Written by trendcrusher

September 2, 2019 at 11:00 am

Fistful of Metal # 7

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I have made my dislike for the rains known here many times. Here is an hour of doom and gloom inspired by the monsoon rains here in Bombay


The Eternal Twilight – Lasting Moment and Embrace
Steven Wilson – Pariah
Torche – Times Missing
Green Lung – Woodland_Rites
Doomkraft – Flood
Marijannah – Snakecharmer
Pelican – It_Stared_at_Me
Ian Blurton – SEVEN BELLS
Bevar Sea – Bury me in Nola
The Earth Below – Ice Hotel
The Eternal Twilight – Another Quiet Night
The Dead – Death Metal Suicide

Written by trendcrusher

August 16, 2019 at 10:00 am

Bevar Sea Interview

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Bevar Sea are doom metal band from Bangalore, India. I interviewed them 3 years ago when they release their self titled album. This weekend they release their second album ‘Invoke the Bizarre’ in India (Worldwide release 31st October). I caught up with Srikanth, guitarist of Bevar Sea and spoke to him about their new album, the different approach they took and also advice he had for bands planning to self release their music and merchandise.

Bevar Sea - 2015

Avinash Ramchander (Bass), Deepak Raghu (Drums), Rahul Chacko (Guitars), Ganesh Krishnaswamy (Vocals) and Srikanth Panaman (Guitars) (Left to Right)

Congrats on the release of your second album ‘Invoke the Bizarre’. Tell us a bit about the album.

Srikanth Panaman: Hey Peter. Long time no see! Invoke the Bizarre has been cooking slowly since the first album came out and we finally were able to record late last year and put it out this year. It is out on September 25th in India and October 31st in the rest of the world. It’s been a labour of love from everyone involved, and we’re excited to have the fans hear it finally.  

How does the album compare to your debut album?

Srikanth Panaman: The first album was good for what it was at that time. We got the best out of what we had and knew at that time. On the second one, we went in knowing a lot more about recording and engineering, and we went in as better performers. Musically, this still stoner and doom, but it’s darker and more varied than the first one.

I remember you released a demo of ‘Sleeping Pool’ in December 2012. How long have you’ll been working on the songs for the album?

Srikanth Panaman: Sleeping Pool was written in 2011 before the first album came out, Where There’s Smoke (There’s a Pyre) was written in 2012, Bearded and Bizarre was written in 2013, The Grand Alignment, Bury Me in NOLA and Heathen were written in 2014. We are slow, much like our music. If we’re able to recover the money invested on an album sooner, and save up for the next album sooner, we will get off our asses and write more but one album every three years is not too bad. I’d ideally like us to have a smaller release between two full lengths, so let’s see how things go.


‘Invoke the Bizzare’ was recorded at Adarsh Recording Studio. How different was the recording process this time around?

Srikanth Panaman: We booked ten whole days at the studio for recording each band member separately and we wanted to use the big room and the fancy mics that the studio had at its disposal. We went in the order of drums, bass, rhythm guitars, additional guitars, acoustic guitars, lead guitars, and vocals over the course of the ten days, and spent the eleventh day listening to each track and then consolidate various takes. This was a pro approach and it was a great experience for us. We’d like to be in a real studio and not a home studio because the equipment is better, and more importantly the recording room itself is better. We also can’t afford to be lazy because time is limited, so that helps us finish what we started as per schedule. We all took time off work and got this done, so it wasn’t a weekend project for us.

You have been working with Matt Lynch (Mysterious Mammal Studios) on the album. How was the experience been?

Srikanth Panaman: Matt plays for an old timey Seattle/LA band called Snail and that’s how I got to know him. He had also worked with bands like Nebula and others, and I always liked the way his drums and the way the ‘room’ sounds in his mixes. We were more metal than his usual work, but when I told him what we’re going for on each track, he understood immediately and got the mixes the way I’d wanted. We gave him a good sounding recording, and the tones were all there. His job was mainly to remove all the mud, and to give us that big overall sound. We’re super happy with the results.

Your self titled album was released on Iron Fist records, a label started by the band. What did you’ll learn from the experience? What advice would you give other metal bands that plan on self releasing their EP/ Album?

Srikanth Panaman: That was a name we used because our then manager Salman (from Bangalore Open Air) wanted to use Kryptos’ and our releases to start a label to support and push good local bands but that never took off. We are putting this one out on our new imprint called The Mighty Riff Records, something I’ve been meaning to start for a couple of years but finally getting to. I sure do have some advice: Don’t compromise on the artwork and packaging. Don’t think of yourself as a local band. Don’t expect people to buy CDs if you don’t have a CD collection yourselves. Don’t expect to make your money back if you invested despite knowing your album had no demand to begin with. Learn everything about the workings of being in a band, including printing, pressing CDs, making merch, logistics, management, recording, video editing, designing, web designing – whatever talents you have acquired can be of use and can help you make your money back. The more skillful you are, the better it is.

Were you satisfied with the response your first album received? Are you planning anything different for the release of ‘Invoke the Bizarre’?

Srikanth Panaman:The first album far exceeded our expectations in terms of response. We’re hoping the second one will kick things up a few notches for us – especially in Europe, UK, and the US. These are the three territories where we got the most real purchases from, so we’d like to go a little deeper in those markets with this album.

What are your plans for the rest of the year?

Srikanth Panaman: We’re taking things slow this year. We just want to put this out and make sure the album reaches the right audience around the world.

Any final words?

Srikanth Panaman: Thanks for letting us talk about our new album man. Your readers can always go to the below links to follow us. [pre-orders are online here]

Listen to three songs from ‘Invoke the Bizzare’ below

Written by trendcrusher

September 25, 2015 at 10:00 am

Bevar Sea

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Bevar Sea are a stoner doom metal band from Bangalore. They were one of the opening bands for Bangalore Open Air in May. Later this month, their self titled album will be released through Iron Fist Records. I had interviewed them earlier in May.

Bevar Sea are Artist of the Month on Check out my interview with their guitarist Rahul Chacko below

Hi Rahul, you are a couple weeks away from the release of your self-titled album. How does it feel?

Rahul: Hey there. Well, at one point, it almost felt anticlimactic, since we’d had the songs for so long, and we’d even had the finished recordings with us for some time, and thanks to a number of factors, it took quite a while to get it release-ready. I’d actually done most of the artwork for the CD and booklet a long time ago, and only recently picked it up again to finish it off.
But now that the launch date is drawing nearer, it’s getting more real in our heads and we’re getting pumped again, so it’s all good.

Tell us a bit about the songs on the album, what are the themes behind it?

Rahul: Ganesh is the man behind the lyrics for all the songs. There was one point where the rest of us weren’t too sure what the lyrics were, but the audience in the concert front row all sang along without a pause. Embarrassing.
Anyway, Abishtu’s probably the most straightforward one, about a bike-riding serial killer terrorising hipsters. Universal Sleeper’s a drug fiend in limbo going on a whacked out trip, The Smiler’s about a guy who sells out his integrity to climb up the social ladder, and Mono Gnome’s a morality tale of a midget who has a fling with a witch, and ends up getting the whole world torched. At least, I think it was a morality tale. I know I’m scared off witches for good. Unless she’s like Triss from The Witcher. Wait, was she a witch or a sorceress? Gah!

You have been working on the album for a while now, what was the recording process? How long did it take?

Rahul: We just tried to be as pragmatic as possible when it came to recording. Since there weren’t enough funds to do a full-on studio recording session, we used the drum recordings from The Mighty Riff and went from there. Deepak’s usually the tightest one in the band, so that didn’t turn out too bad! The remaining instruments, we recorded at home. That collectively took about a week or so, but the sessions were spread out over quite a span. Our neighbours obviously complained a bit, since we had to crank up the tube amp to get the sound we wanted, but ultimately noise prevailed.


The album was mixed and mastered by Billy Anderson who has also produced bands like Cathedral, Orange Goblin & High on Fire. How was it working with him?

Rahul: It’s always a pleasure to work with a professional who knows what they’re doing, and with a guy with those kind of credentials, it’s no surprise that things have gone smooth. We thought our rough mixes were decent, but the tracks that Billy’s sending back now make them sound like the amateur efforts they were. Hopefully, we can learn something from his output and improve our own understanding of music production.

The album is being released by Iron Fist Records, what are your plans for the release of the album?

Rahul: Bring along the whole kitchen sink with us, basically. We’ll have the physical CD for sale, along with digital album download options, t-shirts, posters, fabric prints, stickers, patches, and some other loot if we can manage it.
There are some limited pre-order packs available which should have the bulk of these goodies included – we’re still figuring out pricing since some of these are ideas we’re trying out for the first time, and we’re still not sure how much it’s going to cost us in the end.
Other than that, tour a bit, and do some pimpage for the album to try get it featured in places that cover this kind of music.

You were one of the opening bands for Kreator at Bangalore Open Air in June. How was your experience?

Rahul: It was the biggest stage we’ve ever played on, so that in itself was a trip – lots of space to move around and pull off rockstar poses. Even though the turnout was somewhat disappointing, the crowd that did show up seemed to really be into it, which was a big plus. Oh yeah, there was some power-tripping douchebag backstage who was throwing his weight around and making a nuisance of himself, but otherwise, it was a good time being surrounded by friends and metal. Not to mention, getting to see Kreator up close and personal – they blew our faces off something fierce.

Artwork plays an important role in your band. Tell us how you go about creating the artwork for your merchandise.

Rahul: Usually I take references from the lyrics and the general vibe of the song, and adapt it to whatever format the artwork is going to use. The CD art was a little more freeform, since there wasn’t any direct lyrical theme to draw from, so I just decided to give it a nautical spin and see how it turned out. Truth be told, I’ve probably spent more time on the artwork for the CD than on my guitar parts. Anyway, the reaction’s been great, so we’ll probably keep churning out art along with the music.

What are your thoughts on the old school – new school rivalry?

Rahul: Being a predominantly atavistic band, I guess we’re supposed to trash the school of nu, but it’s not worth the effort, to be honest. For me, the important thing in music is how it makes you feel, what your gut reaction to that sound is. In contrast, a lot of the genre turf wars I come across seem too tribalistic in nature for my liking – less about the music and more about posturing. It leads to some funny face-offs now and then, but that kind of thing tends to get old fast.
I’ll admit, I have a preference for how some of the bands in the 70s did heavy music, but I don’t want to ape their style completely either. You should be free to introduce some unconventional elements in there if you think it fits; otherwise, it’s just pandering.

Do you have any shows outside Bangalore planned in the coming months?

Rahul: Indeed! We’re trying to sort out shows in Cochin, Trivandrum, Chennai, Hyderabad, Mumbai and Nasik. So far, we’ve only played Bangalore and Chennai, so it’s going to be a great time making a ruckus in the new cities.

Final words?

Rahul: Thanks for reading! Flames in the comments thread are welcome – if we’re not pissing off somebody, then we’ve gone wrong somewhere. Turn up for our gigs, buy our merch, and make us moderately wealthy bastards. Ok, just financially solvent bastards, then. Cheers!

Listen/Buy the album from the band here or from OKlisten here

Written by trendcrusher

October 6, 2012 at 2:23 am

Bevar Sea + Dying Embrace

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Bangalore Open Air is less than a month away. This week I interviewed Bevar Sea and Dying Embrace.

Bevar Sea are a stoner doom metal band from Bangalore. They will be releasing their self titled album in August throught Iron Fist Records.

Your self-titled debut album will be out soon through Iron Fist Records? When can we expect it to be released?

It’ll be out on Iron Fist Records in India in August, looks like. Ours will be the release number 2 after the recent Kryptos album. We’re planning to do a special show to launch the album, provided we can find a venue for the show.

A little birdie tells us that Billy Anderson, who produced Cathedral, Blood Ceremony, Orange Goblin & High Fire will also be behind the knobs for your debut album. Tell us more about it.

Damn that little birdie who plays the bass for Albatross. But yes, Billy’s mixing and mastering the whole thing. We’re hoping to fly him down to produce our next album entirely. We wanted him to produce this one, but he came on board a little late and we went ahead with arranging and recording everything ourselves. We’re happy with the results, but it’ll be great to just plug and play with someone like Billy taking charge of every other aspect of the album production.

Bangalore is fast becoming a hub for Doom metal. Why do you think it is happening and what is your take on it?

Is it a hub already? Dying Embrace made a comeback around the same time as our live debut, and our ex-bassist went on to form a band called Djinn & Miskatonic, but other than that, it’s still rather nascent. It’ll be great to have more bands coming up. We’re at a stage when there are underground show promoters have gigs to put together, but are struggling to keep the line-ups interesting because there aren’t enough good bands around.

What can we expect from Bevar Sea at Bangalore Open Air?

Our best gig yet perhaps? We’ve played a big stage once before, and that’s still our most memorable gig yet. It was last year playing before Rudra at Strawberry Fields. BOA has got to be a few notches better. Better lineup, and more metal crowd to play to.

What are you looking forward to at the gig?

The backstage is going to be a blast because the other Indian bands are all our friends, and the fact that we’re opening for a couple of bands we grew up listening to. It promises to be a fantastic weekend for everyone involved.

Dying Embrace are a death doom metal band from Bangalore. Their discography titled “Era of Tribulation” will be released soon on Legion of Death Records.

“Era of Tribulation” a 12″LP featuring your entire discography will be released Legion of Death Records. Can you tell us more about the release?

Era Of Tribulation will carry our entire discography recorded between our formation in 1991 and disbanding in 2001,The 12″ Vinyl release should be out in a couple of months from now and it will carry mindblowing artwork by Zizi “Nexro Maniax” Amri from Malaysia as well as the fantastic packaging quality Legion Of Death Records are known for.

Bangalore Open Air is your first festival performance, what can we expect from you?

This is definitely our first Festival on this large massive scale, we have played smaller Underground Fests since we reformed, Undergrind Fest [co headlining with Putrid Pile (USA) and Trendslaughter Fest in 2011(Co headlining with Orator (Bangladesh) ] and Trendslaughter Fest II[co headlining with Abigail(Japan)] in 2012. Dying Embrace will be one of the oldest Indian Underground bands playing Bangalore Open Air and we will be holding the flag high up of True Indian Underground Metal!

This will also be your first gig with Pritham “Metal Farmer” D’Souza, how did he become part of the line up?

Pritham has been a great friend over the years and Dying Embrace was always a band of consisting of friends with a common love for Metal and playing Extreme music. When we reformed we waited for almost a year to get the right personnel and we felt Pritham fitted in perfectly well for Bass duties. He is an amazingly talented and a gifted musician, we were honoured when he accepted to join the Doom Cult!

What can we expect from Dying Embrace at Bangalore Open Air?

We will be playing a selection of tracks from our Grotesque & Misanthrope EP’s, Serenades Of Depravity Mlp and a new track we have written after we reformed in 2011 which we debuted at Trendslaughter Fest in January.

What are you looking forward to at the gig?

Watching Kreator & Iced Earth in the flesh! Playing our brand of Primitive Doom laden Death Metal, meeting our friends and fans from all over and downing dozens of Beers with our friends and hanging out with the other awesome bands playing at Bangalore Open Air! See you there maniacs, together we will carry the burden of Doom\m/

Stay tuned for more interviews with the bands performing at the Bangalore Open Air.