Posts Tagged ‘Pakistan’
The D/A Method interview
The D/A Method are a progressive rock band from Karachi, Pakistan. I found out about the band through Patari, a Pakistani music streaming platform. The D/A Method are more progressive sound compared to Odyssey
Their recently released album The Desert Road is an engaging listen and features classical instruments. I spoke to Talha Alvie about The Desert Road, working with Bruce Soord and also their plans in the coming months.
Hi guys, you recently released your second album The Desert Road at show with Takatak. How did it go?
The show was great. We had an excellent turn out with about 500 people in the audience. It’s always special playing in front of our home crowd in Karachi and this was no exception. Takatak absolutely killed it, so it was a wonderful show overall.
For those who have not heard of you before, could you share how the band was formed.
The band was formed by Umair and Talha back in 2012. After jamming together, they wrote songs which were to become part one of our debut album, The Great Disillusion. While recording the album we added our friends Usama on vocals and Istvan on drums in 2013. This is the line up that appears on the first album. Danny, who had played bass with us in the past, joined the band in 2016 to complete the line up which has remained unchanged since then.
The Desert Road comes 2 years after the release of your previous album, The Great Disillusion. What was the writing process for the album?
The writing process for TDR was quite different from TGD as for the first time we were under a deadline in order to fit in with our producer Bruce Soord’s schedule. We had been planning on working on a four-song EP with Bruce but he suggested turning it into a full-length album. So the challenge for us was expanding this EP into a proper record in the matter of only a few months. Talha wrote the structures for four additional songs while Umair and Istvan added the final one to get us to a 9 track album. We actually recorded all of the drum and guitar parts before the vocals were finalized but as always, Usama went over the songs and added his magic touch. We only recorded the final vocals once we got into the studio to mix the album with Bruce which ultimately worked out brilliantly because we were able to get his input on vocal parts and harmonies and also have him as a guest vocalist on several songs.
The album features traditional musical instruments like the sitar and sarangi. How did they become a part of your sound?
Being from Pakistan, these traditional instruments have been a part of the music we’ve been listening to since our childhood. It just made perfect sense for us to use the sounds from these age-old instruments as an additional layer to our electric guitars, synths, and drums. The whole East-West fusion thing has been done for a long time, but for us this comes out of interest of adding textures and sounds that both contrast and complement our modern Western instruments.
The Desert Road is co-produced and mixed by Bruce Soord (The Pineapple Thief, Wisdom of Crowds). How did he become a part of the album?
Honestly it was just a complete shot in the dark. We’d been fans of his music for a long time and learned that he was interested in producing bands, so we shot him an email and he said yes. He definitely whipped us into shape and made sure that we were on point with everything before we got into the studio with him, which is something we probably needed at the time.
You released a music video for the track, the Desert Journey. How relevant do you think music videos are in the age of Youtube and Vimeo?
Music videos are essential. The era of instant information means that people’s attention spans are limited and a video is a great way to capture that attention. Luckily prog rock fans still value the idea of concept albums and long songs, but we’ve always felt that if we want to get our music out to a broader audience we need to put out videos. Fortunately, as fans of film ourselves, we’re willing to put in as much passion and effort into our videos as our music. We just see our videos as visual extensions of the songs themselves.
What have you been listening to lately (metal and non-metal)? Are there any acts that have inspired you of late?
Individually we’re all over the place but as a band we’ve been more interested in singer-songwriter type stuff as of late. Dallas Green/City and Colour, Jeff Buckley, Mark Kozelek to name a few. Of course the new Steven Wilson album is on the top of all of our playlists. The new Mastodon EP is pretty great as well.
What are your plans for the rest of the year? Are there any shows/tour planned in promotion of the album?
After our last show we’re probably going to lay a little low until the end of the year. We have some material that we’ve been working on which we’ll finally get a chance to make some progress on. We’ll be back on stage with hopefully a tour of Pakistan at some point in the first half of 2018.
Thanks for answering all my questions. Do you have any final words?
Thanks for the interview and thanks for supporting our music. To anyone reading this, please check out our music. Our discography is available for purchase on Bandcamp and iTunes and for your streaming pleasure on Spotify. All the best.
Interview with //orangenoise
//organgenoise are a psychedelic band from Karachi, Pakistan. They released an EP //veracious last year which got them attention from around the world. Last month, they released a full length album A Journey to the Heart of Matter. I spoke to their vocalist/guitarist Talha Wynne about the album, how they got together and also the music scene in Pakistan.
Hi Talha, you recently released an album “A Journey to the Heart of Matter”. Tell us about it?
This album is a collection of songs we’ve been playing since after our first release “//veracious” back in January of 2011. We built up a repertoire of 10 – 12 tracks which we’d shuffle around in live shows. We’ve been trying to record these tracks for the past year working with various techniques and methods trying to get our live sound down on the album. Finally in like August of this year, we found a setup that worked for us and managed to contain that live and loud feel we were going for. This album is completely home made, the mixing, recording and mastering everything.
Where was the album recorded? What was the recording process like?
The album was recorded at our drummer Danials place. We Had the basic “juice” of the track recorded as a one take jam, where the drums, guitar and bass we’re hooked up to a mixer and a take was layed down as the foundation layer of the track. We later overdubbed that layer with synths and vocals and additional shimmer.
How does A Journey to the Heart of Matter compare to your EP veracious?
//veracious was very raw and expressive kind of like how we were when the band started, ‘Journey takes our essence and contains and controls it. This is also a full length album as compared to veracious which was a 5 track EP. Also ‘Journey kind of picks up where //veracious ended.
How was the response you received to //veracious EP?
We were quite overwhelmed with the response that veracious got as it was an amateur effort as far as recording and sound were concerned, there was a lot of trial and error involved. But that EP definitely launched us into the internet and managed to squeeze us in with the rest of the noise makers.
You appeared on the second season of “Uth Records”. Tell us a bit about the experience?
It was like a test in a way, a lot of questions hovered around. Can we adapt to a studio environment that wasn’t our own home? Will we have enough time? Are we disciplined enough technically for studio work? I guess all these questions and more were answered in that episode. It was 3 days of mad fun, we felt like working musicians and it would be really awesome to have that sort of stuff going for you if you’re a band thats always up to something. The whole studio rigged up and ready to go.
You and Danny P were in Look Busy Do Nothing and Danial and Faizan were in Mole. How did you guys meet and form a band together?
There was a gig happening at one of the local venues where Danny P was playing with the Mole boys as well as some other musicians, after jamming out with them we all got to meet up one day after a gig leading to us jamming out some noisey punky jams at Danials place. Needless to say we realised something was going on here.
Do you have any other projects/bands?
Yeah I go solo as Toll Crane experimenting with jazzy/beaty/dancey stuff Danny P goes by Alien Panda Jury mixing atomspheric/ambeint grooves with nasty beats.
//orangenoise is part of a new sound from Pakistan. What other bands from Pakistan should the readers check out?
Basheer & the Pied Pipers, Sikandar ka Mandar, Mole, Mightyhook, Jhumi Experience, Poor Rich Boy, Asfandyar Khan and Lower Sindh! Swing Orchestra to name a few bands that rock the local circuit.
What is next for //orangenoise?
After the album’s release we’re pretty much blank right now, a few videos are in store for the new tracks so i guess that’s something to look forward to.
Final words
Support your local music. Go to live shows and gigs.